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Overall a solid copy at a great price! Your purchase supports More Than Words, a nonprofit job training program for youth, empowering youth to take charge of their lives by taking charge of a business. Bookseller: More Than Words Inc. Jane Eyre Bronte, Charlotte. Bantam, Mass Market Paperback.

Noticeably used book. Heavy wear to cover.

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Pages contain marginal notes, underlining, and or highlighting. Accessories such as CD, codes, toys, and dust jackets may not be included. Very Good. New York: Bantam Classics, When it was published in , it was a great popular success. The power of the writing, the masterly handling of the narrative, and the boldly realistic style were much admired. But many found it difficult to believe that Currer Bell, the pseudonymous author, was Charlotte Bronte, a young woman from a bleak Yorkshire parsonage. New York: Bantam, MM paperback. New York, NY, U. Reprint Edition.

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Later prtg.. Bantam Classics, Good condition. Textbooks may not include supplemental items i. I am a reluctant Jane Eyre convert. I was a callow teenager when I first read the novel. I probably would not have reread at all were it not for two things. First, I watched the old film starring Joan Fontaine and Orson Welles, and completely fell in love with it. And then a friend shared a pertinent quote with me: Rochester's repentance speech, which I had somehow missed and which ended up reconciling me to the character.

So I resolved to give the book another chance. What was I thinking, silly adolescent me?

In fact, if I tried to cover all of it, this review would go on for far too long. Instead, I'd like to detail one of themes that stuck out to me while reading: how passion and morality are constantly at play in the story, sometimes opposing each other, sometimes complementing. You can see this duality in the character of Jane herself, in the personalities of her cousins Georgiana and Eliza, and in her two suitors, Rochester and St John. Spoilers included. As a friend has pointed out, even the heroine's name reflects this duality: she is Plain Jane, obscure and Quakerish words she uses to describe herself , but her surname, Eyre, reveals a passionate, ephemeral, and almost fey side to her nature.

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  • When we first meet her she is a rebellious child-understandably so, considering the harsh treatment she receives in her aunt's house-but at Lowood School she encounters the example of Helen Burns and her doctrine of endurance. Thereafter, she becomes much more contained and self-effacing. Of course, that doesn't mean those passions aren't there, and that they can't flare up at a moment During the harrowing pages of Chapter XXVII, it is clear she very much wants to stay with Rochester, but she knows that, based on everything she knows and believes, she cannot.

    Great stuff. Georgiana and Eliza do not play a large part in the novel's plot, and are usually passed over by commentators, but they are important thematically. Lazy, self-absorbed Georgiana represents the extreme of passions ungoverned by sense or morality, whereas Eliza relies on a set of rules to guide her days, but she doesn't bother about the possible spiritual basis for those rules.

    Jane does not have much use for either of them, and neither have I. With the suitors, the dichotomy should be evident. Although St John is not without passion both for God and for poor Rosamond Oliver and Edward is not without morality, the former is motivated by duty and the latter by his desires-or at least, that is how it seems at first glance.

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    In reality, of course, the situation of each is a good deal more complicated. Previously I had treated the one flaw in Jane and Rochester's relationship as being his deceit and proposed bigamy, but on the reread I began to see other problems. She speaks of him becoming her idol, and says "He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun. And of course there is Rochester's self-justification, wherein he assumes that he has God's blessing as a result of his feelings and circumstances: "It will atone-it will atone.

    Have I not found her friendless, and cold, and comfortless? Will I not guard, and cherish, and solace her? Is there not love in my heart, and constancy in my resolves? It will expiate at God's tribunal. I know my Maker sanctions what I do. For the world's judgment-I wash my hands thereof.

    Jane Eyre (Bantam Classics) (Reissue) [Paperback]

    For man's opinion-I defy it. Even after they are engaged he is still "master," and showers her with gifts she does not want. While Jane Eyre is one of the great romances, I think the Jane-Rochester relationship is far from ideal prior to the final chapters. As for St John Rivers There comes a point in the narrative when he is counseling Jane, telling her what God wants her to do. When I read that, I immediately thought, "You are speaking merely of what you want Jane to do. You have remade God in your own image.

    Jane Eyre - Bronte, Charlotte/ Davies, Stevie (EDT) - | HPB

    Again she sees the relationship as unhealthy, and again she leaves-although I do think it's worth noting that she was almost about to give in when she heard Rochester's cries of "Jane! By doing so, is she suggesting that it is easier for the reprobate to reform than it is for the hypocrite? That's a sobering thought for those of us involved in the Christian faith.

    And Rochester really does reform: his repentance speech is one of the most beautiful passages of the entire book. And that changes his treatment of Jane. In the end, she is truly his helpmate, not his servant, which is both a fine distinction and a significant shift in their relationship.

    He is humbled and she is able to simultaneously serve and be served by him, something that was not practicable before. This time around, I listened to the story on audio, in a Brilliance Audio production narrated by Susan Ericksen. It was one of the best pairings of reader and material I have ever had the pleasure of listening to. Ericksen captures both the passion and the good sense of the novel, and convincingly differentiates between the childish Jane of the early chapters, the mature but still inexperienced heroine she grows up to be, and the still older Jane who narrates the story.

    She also does male voices uncommonly well. Her Rochester is particularly excellent, and she seems to have a lot of fun with Mr. Before I wrap up I'd like to mention two movie adaptations of the book that have really resonated. Most modern viewers would probably consider it old-fashioned and melodramatic, but I just eat it up.

    The other is the new movie starring Mia Wasikowska and Michael Faasbaender.

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    It is, in contrast, a quiet and brooding film that says a lot with few words, more of an elegy than a straightforward motion picture. Jane Eyre is a bildungsroman, a morality tale, a Gothic, and a love story. And I believe everyone should read it. This is the Romantic Gothic novel at its finest, an archetype already burned into our brains by the succession of books and movies, cheap novels and even comic books that have followed in its footsteps.